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October 29, 2006

Athleta works the diversity angle

Three cheers for Athleta, a retailer that sells fitness apparel and gear for women, for putting an Asian model on the cover of their winter catalog. These kinds of companies tend to favor fit, white blondes and brunettes in their marketing materials, as if Caucasians are the only women who enjoy sports and working out. The solo woman on the Athleta cover is unmistakably Asian, with jet-black hair and almond-shaped eyes. Dressed in a sweater and knit cap, she's standing in a snowy outdoor scene, holding ski poles in her hand, with snow shoes propped up beside her. Inside the catalog, the same woman is shown dogsledding (?), skiing, snow-shoeing and hanging out. In fact, there are more photos of this woman than any other. Good for Athleta. Patagonia and Title 9 Sports, take note.

October 27, 2006

Happy Slut-o-ween!

I tend to look pretty cheap on Halloween – cheap as in, “I refuse to spend any more money than is absolutely necessary on this costume,” not as in “I refuse to wear any more clothing than is absolutely necessary for this costume.” Unfortunately, I’m poor, and all of the easy costumes and props from my past --cheerleading uniform and pom-poms, old prom dresses, waitress uniform-- were either trashed years ago, or are lost in the bowels of my parents’ house hundreds of miles away. So each year, when October 31 rolls around, I rifle through my closet and see what I have to work with. In 2003, I dressed a Japanese teenager: I layered on as many different brightly-colored clothing items as possible (given the current fashion trends, I was ahead of my time). Before that, I was Mary Katherine Gallagher, Superstar: glasses, pleated skirt, necktie, penny loafers, knee socks (at the party I attended, people kept assuming I was trying to be a geeky Britney Spears). This year, I’m using one of Jane Fonda’s early films as inspiration. Forget Barbarella and Klute; I think Jane Fonda’s Workout is more my style.

Most of my friends share my G-rated Halloween aesthetic. Over the years, they’ve dressed as cats, dogs, bloody ghouls, flappers, grandmothers, Disney dwarves, bag ladies and various kinds of insects. I think the sexiest Halloween costume I’ve seen one of them wear is a "Freudian Slip," but even that was more frock than lingerie.

Of course I’ve heard of those other ladies of the night, the ones who tend to get a lot of attention from men and the press. But I don’t tend to party with them. The type of woman who celebrates Halloween as an excuse to take clothes off rather than put them on is foreign to me. She may be out there, sexing it up, but she doesn’t really sex it up in my world.

Those worlds collided this morning while I was dozing on the subway. A huge group of noisy high-schoolers had boarded on the train at 34th St. Confused and discombobulated by their loud chatter and imposing numbers, I started to panic when I realized I was one of three adults on car –- and that the other two were teachers. I stumbled towards the exit, only to be blocked by a wall of junior varsity soccer players. As the doors slid shut in front of me, I grabbed the nearest pole.

After taking a deep breath and silently chanting “Two more stops,” I looked up to see a pretty young girl with dimples and long, straight, caramel-colored hair standing across from me. She seemed to be describing an outfit to three other girls. “…I think I’m going to wear my beige shirt dress,” I heard her say. “I’ll leave it unbuttoned, and underneath I’ll wear this great black push-up bra.” What?! What's a 16-year-old doing with a black push-up bra? (Showing it off, evidently). “I also have these really cute black underpants, like boy-shorts, you know? So I’ll wear those on the bottom. Just those. And I’ll wear my new black stilettos.” Oh, I get it: this is her Halloween costume! “And then all night, I’m going to flash people my badge, like” –-here she gave her friends a smoldering look and held up an imaginary police badge-- “'Don’t mess with me!’ It’ll be awesome!” The other girls were wide-eyed and silent, presumably envisioning their own awesomely slut-o-riffic Halloween get-ups.

Hearing this fresh-faced Noxema girl talking about fetishizing police officers and prancing around in her skivvies really got my day off to a discouraging start. When I was in high school, I used a trench coat to transform myself into a gangster for Halloween. It never would have occurred to me to pair it with heels and underwear and go as a “flasher/cop.” Clearly, some girls have been taking note of those scantily-clad “other women” on Halloween … and getting some pretty scary ideas from them, as well.

(Note: Veronica Mars gets it! On the October 31 show, Weevil asks Veronica about her plans for Halloween. "Slapping on my slutty nurse costume, rolling some tweeners for chocolate." Hee hee!)

October 26, 2006

Studio 60 on the Sunset Strip vs. 30 Rock: The Strip-Rock Challenge

Shows about television writers seem to be like Pringles: I can’t have just one. I’ve been tuning in to both "Studio 60" and "30 Rock" for three weeks now, and I can’t seem to break the habit. But in the same way that not all flavors of Pringles are equally crisp-a-licious, different episodes of these two SNL spoofs vary in their tastiness. So, I’ve decided to judge them side-by-side each week, and select my favorite. This way, if the DVR ever breaks down, I’ll be able to choose which one to watch.

Week of October 22, 2006
60: The Wrap Party vs. 30: Blind Date

In "Studio 60", we got to see a new side of Jordan (Amanda Peet), Tom (the other Corddry brother) and Cal (the guy from "thirtysomething"). Jordan, buzzed with the success of beating out HBO for a smart new series, gets drunk and tries to make friends with Harriet and the other funny girls (Her goofy pick-up line--“I don’t have any friends”– confirms that it’s lonely at the top). Tom gives his clueless Midwestern parents a tour of the studio, during which his mother asks him how they come up with the “skits” and his dad tried to make Tom feel guilty that he isn’t with his brother in Afghanistan, fighting for American world-domination – er, democracy (But nice Tom doesn’t get mad – he gets them a record for their turntable). Matt and Danny, usually the focus of the show (and my favorite characters), were overshadowed by a touching subplot involving a former television writer who was blacklisted during the McCarthy era.

In "30 Rock", we got to see more of the same from Jack Donaghy (Baldwin), Liz Lemon (Fey), and the rest of The Girlie Show writers. Jack, so superbly slimy in the first episode, took things a little too far in a mean-spirited poker game, and Fey’s self-deprecating me-so-single-ness feels tired (in this episode, her character has two slapsticky scenes where she almost dies from loneliness – literally). Jack fixes Liz up with a blind date, Thomas, who turns out to be a hot, sexy, funny, smart –wait for it-- lesbian named Gretchen Thomas. (Have I seen this episode before, or does it just feel like I have?) Tracy Jordan hardly got any face time, which is too bad, since I think he's becoming my favorite character on the show (who would've thunk it?!).

Verdict: Jordan’s lack of friends was funnier (and more interesting) than Liz’s lack of boyfriends. "60" proved that not every episode needs to be about Matt and Danny; I think "30" really needs Tracy Jordan. "60" took a risk and went for the heartstrings; "30 Rock" stuck with the tried-and-true and didn’t get much out of me. I chortled (at Jordan) and nearly cried (at the blacklisted old writer) during "Studio 60"; I barely giggled during "30 Rock." 60 wins!

October 11, 2006

Which to Watch?

Two new SNL-type parodies, both on NBC, both with numerals in their name. Do I really have room in my life (and on my recordable DVD's) for both of them? Well, until tonight, the answer was no. Over the last few weeks, I've grown quite fond of Studio 60: Fantastic cast (especially that Matthew Perry! Could there be a better post-Friends comeback role for him?), snappy dialogue, exciting hour-long stories. I'm not yet convinced that Sarah Paulson is funny, but I think her character(a passionately religious comedian) could be interesting. So in my mind, 30 Rock, with Tina Fey, Alec Baldwin and Tracy Jordan, was over before it even aired. I love Tina's writing, but I'd rather see another actor perform her stuff. As an actor, she has the potential to irk me. More than that, I felt like 30 Rock would make Wednesdays feel like a lame sequel to Mondays. And I hate sequels.

But then I got home from work early tonight, and I needed something to do with myself before LOST came on at 9pm. I decided to give 30 Rock a chance. And you know what? Tina wasn't half bad! She held her own alongside both Baldwin's delightfully oily TV/oven exec and Jordan's hilariously nutty, say-anything comedian. She did some of her usual self-deprecating shtick, but she was also feisty and fun in an appealing Mary Tyler Moore-ish way. And the half-hour length, instead of feeling abrupt, made the laughs all the more precious, and left me wanting more (take note, Ugly Betty).

Of course, television shows follow trends, just like anything else. We've seen the legal trend (Ally McBeal, The Practice, Boston Legal), the crime trend (the CSI franchise, the Law & Order franchise), the scary catastrophe trend (Invasion, Surface, Jericho), the I-see-dead-people trend (Medium, The Ghost Whisperer), among others. Not all of those shows felt like retreads; there was a time when I was a simultaneous fan of both Ally and The Practice.

I'm still skeptical of whether Studio 60 (dramatic SNL spoof) and 30 Rock (funny SNL spoof) can co-exist on TV in general, and on my TV in particular. But until my recordable DVD's fill up, I think I'll keep watching them both.